{"id":5476,"date":"2018-11-06T14:29:20","date_gmt":"2018-11-06T14:29:20","guid":{"rendered":"http:\/\/trementinalux.com\/Blog\/?p=5476"},"modified":"2018-12-02T19:53:12","modified_gmt":"2018-12-02T19:53:12","slug":"una-historia-sobre-la-flauta-magica-by-graham-vick-y-ron-howell-contada-por-trementina-lux","status":"publish","type":"post","link":"https:\/\/trementinalux.com\/Blog\/una-historia-sobre-la-flauta-magica-by-graham-vick-y-ron-howell-contada-por-trementina-lux\/","title":{"rendered":"Una historia sobre la Flauta M\u00e1gica de Mozart by Graham Vick y Ron Howell contada por Trementina Lux"},"content":{"rendered":"

Estoy trabajando como figurante ciudadana en Die Zauberfl\u00f6te  <\/em><\/i>La Flauta M\u00e1gica<\/a> de Mozart, en el Palau de les Arts<\/a>. Est\u00e1 dirigida por Mr.Graham Vick<\/a> y Mr.Ron Howell<\/a>, respectivamente director y core\u00f3grafo de la Royal Opera House<\/a> de Londres y la Birmingham Opera Company<\/a>, entre muchas otras instituciones prestigiosas.<\/p>\n

El d\u00eda que hice el casting para la \u00f3pera estaba af\u00f3nica, por eso las venas de mi cuello se tensan en la foto robada para saludar a Mr. Ron. Entr\u00e9 en \u00abLa Flauta M\u00e1gica\u00bb de Mozart el d\u00eda en que me hab\u00eda quedado sin voz. \u00bfParadoja o lecci\u00f3n de amor universal?<\/p>\n

Somos cerca de sesenta personas sin experiencia profesional previa en estas lides. Estamos trabajando altruistamente como figurantes en una puesta en escena que realiza una revisitaci\u00f3n hist\u00f3rica y est\u00e9tica de \u00abLa Flauta M\u00e1gica\u00bb de Mozart en la que el anacronismo ha dejado de ser pecado para convertirse en eje fundamental de la construcci\u00f3n de la propuesta e incluso de la compleja di\u00e9gesis narrativa. La cosa tiene riesgo.<\/p>\n

Lo curioso es que la propuesta de Graham Vick, agitadora, sensible con la perspectiva de g\u00e9nero, decolonial y democratizadora enlaza, en principio, con algunos de los presupuestos conceptuales<\/a> de mi propio trabajo acad\u00e9mico<\/a> y art\u00edstico<\/a>. \u00bfCasualidad o causalidad?. Cuenta Mr. Vick que incluso hizo entrar descalzo al p\u00fablico en una de las \u00faltimas representaciones para desposeerlo de forma r\u00e1pida y eficaz de sus prejuicios de casta, un calco conceptual de lo que hicimos en \u00abOpen Beds, an exhibition about the patriarchal rules of love<\/a>\u00ab.<\/p>\n

Es por ello y por la incre\u00edble energ\u00eda que se desata en los ensayos que, de momento, estoy fascinada con la propuesta por encima de toda pol\u00e9mica<\/a> clasista o corporativista que se haya producido ya o, la que por supuesto, se producir\u00e1 tras el estreno.<\/p>\n

Con respecto a Wolfgang Amadeus Mozart, \u00abLa Flauta M\u00e1gica\u00bb y el aria de la Reina de la Noche, mi amor absolutamente carnal (pues me lleva al \u00e9xtasis m\u00e1s absoluto) se remonta a la noche de los tiempos. En esta vida a la \u00e9poca en que mi madre me amamantaba mientras mi padre la hac\u00eda sonar en su magnetof\u00f3n, pues era un adicto experto y enamorado, aunque nunca pudo pagarse una entrada para la \u00f3pera. M\u00e1s tarde me extasi\u00e9 con \u00abAmadeus\u00bb<\/a> hacia 1983 y en la otra vida me apasion\u00e9 con Diefaberflaute<\/em> directamente en 1791.<\/p>\n

Las sesiones de trabajo est\u00e1n siendo intensas, cat\u00e1rticas y arrebatadoras. Lo que sucede en el stage<\/em> se queda en el stage,<\/em> pero puedo aventuraros que cuando tratas a las personas magistralmente desde las emociones y la acci\u00f3n directa no hay error sino autenticidad absoluta. A las tres sesiones que llevamos les he puesto t\u00edtulo: \u00abThis energy belongs to me\u00bb. \u00abIt was fun, people said\u00bb and \u00abThe power of Mela: flesh, feelings and knowledge\u00bb.<\/p>\n

Mis queridos amig@s, Mozart, Vick y Howell nos toman de la mano para llevarnos a un viaje suprasensorial m\u00e1s all\u00e1 de nuestros miedos. No sucede siempre, sucede aqu\u00ed y ahora y es pura magia. \u00bfTe vienes? Las entradas est\u00e1n disponibles aqu\u00ed.<\/a><\/span><\/p>\n

Thank you all!<\/p>\n

TREMENTINA LUX<\/p>\n

La imagen es cortes\u00eda del Palau de les Arts y fue tomada el d\u00eda del casting inicial, pod\u00e9is leer la noticia aqu\u00ed.<\/a><\/p>\n

A story about Mozart’s magic flute by Graham Vick and Ron Howell told by Trementina Lux<\/h3>\n

I am working as a citizen in Die Zauberfl\u00f6te<\/em>, the Mozart’s Magic Flute<\/a>, at the Palau de les Arts<\/a>. It is directed by Mr. Graham Vick<\/a> and Mr. Ron Howell,<\/a> respectively director and choreographer of the Royal Opera House<\/a> in London and the Birmingham Opera Company<\/a>, among many other prestigious institutions.<\/p>\n

The day I did the casting for the opera I was hoarse, so the veins in my neck tighten in the stolen photo to greet Mr. Ron. I went in Mozart’s \u00abMagic Flute\u00bb the day I had lost my voice. Paradox or universal love lesson?<\/p>\n

We are about sixty people without previous professional experience in these events. We are working altruistically as extras in a historical and aesthetic review of \u00abThe Magic Flute\u00bb by Mozart in which the anachronism has ceased to be a sin to become a fundamental axis of the construction of the proposal and even of the complex narrative diegesis. This thing has risk.<\/p>\n

The funny question is that the proposal of Graham Vick, defiant, sensitive with the perspective of gender, decolonial and democratizing matches with many of the conceptual <\/a>assumptions of my own academic <\/a>and artistic<\/a> work. Chance or causality?Even, Mr.Vick had the audience enter barefoot in one of his last performances, to dispossess them quickly and effectively of their caste prejudices. A conceptual twin of what we did in \u00abOpen Beds, an exhibition about the patriarchal rules of love<\/a>\u00ab.<\/p>\n

It is because of this and because of the incredible energy that is unleashed in the stage that I am fascinated with the proposal over any controversy that has already taken place or, which of course, will occur after the premiere.<\/p>\n

With regard to Wolfgang Amadeus Mozart, \u00abThe Magic Flute\u00bb and the aria of the Queen of the Night, my absolutely carnal love (it reach me to the most absolute ecstasy) goes back to the night of time: in this life at the time in which my mother breast-fed me while my father made it sound in his magnet recorder, because he was an lover and expert addict, although he could never afford a ticket to the opera. Later I became enthralled with \u00abAmadeus\u00bb movie around 1983 and in the other life I became passionate with Diefaberflaute<\/em> directly in 1791.<\/p>\n

The work sessions are being intense, cathartic and captivating. What happens in the stage stays in the stage, but I can tell you that when you treat people masterfully from emotions and direct action there is no error: this is absolute authenticity, trust and true. To the three sessions that we took I have given title: \u00abThis energy belongs to me\u00bb. \u00abIt was fun, people said\u00bb and \u00abThe power of Mela: flesh, feelings and knowledge\u00bb.<\/p>\n

My dear friends, Mozart, Vick and Howell take us by the hand to take us on a suprasensory journey beyond our fears. It does not always happen, it happens here and now and it’s pure magic. Are you coming? Tickets are available here<\/a>.<\/p>\n

Thank you all!<\/p>\n

TREMENTINA LUX<\/p>\n

The image is courtesy of the Palau de les Arts and was taken on the day of the initial casting, you can read the news here<\/a>.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Estoy trabajando como figurante ciudadana en Die Zauberfl\u00f6te  La Flauta M\u00e1gica de Mozart, en el Palau de les Arts. Est\u00e1 dirigida por Mr.Graham Vick y Mr.Ron Howell, respectivamente director y core\u00f3grafo de la Royal Opera House de Londres y la Birmingham Opera Company, entre muchas otras instituciones prestigiosas. El d\u00eda que hice el casting para la \u00f3pera […]<\/p>\n","protected":false},"author":1,"featured_media":5485,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,11,301,113,119],"tags":[362,355,290,358,356,361,360,13,359],"class_list":["post-5476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-y-otras-delicias-vindicativas","category-conciertos","category-gender-studies","category-obra","category-resena-teatral","tag-concerts","tag-flauta-magica","tag-gender-studies","tag-graham-vick","tag-mozart","tag-opera","tag-palau-de-les-arts","tag-resenateatral","tag-ron-howell"],"jetpack_featured_media_url":"https:\/\/trementinalux.com\/Blog\/wp-content\/uploads\/2018\/11\/casting-vick_ron-howell-julia-navarro.jpeg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/posts\/5476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/comments?post=5476"}],"version-history":[{"count":38,"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/posts\/5476\/revisions"}],"predecessor-version":[{"id":6163,"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/posts\/5476\/revisions\/6163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/media\/5485"}],"wp:attachment":[{"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/media?parent=5476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/categories?post=5476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/trementinalux.com\/Blog\/wp-json\/wp\/v2\/tags?post=5476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}